Zhang Guangyu’s 張光宇 (1900-1965) overlooked masterpiece, Manhua Journey to the West 西遊漫記 was originally created in the fall of 1945 while Zhang was living in the wartime capital of Chongqing. Deeply critical of the ruling KMT government, it was eventually banned and did not see print for another 13 years. For the sake of introducing Zhang’s out-of-print work to a larger audience, I’ve taken the liberty of translating the entire 60 page comic into English and will be posting it in installments on my blog over the next several weeks.

In part 2 of this 6 part translation, Monkey and Zhu Bajie run into Lady Mengjiang, who husband has been forced to labor on the wall.1 Monkey promises to seek vengeance and with the help of a crow monster, he and Zhu Bajie are able to track down the Crested Falcon. A battle takes place and Monkey handily dispatches his foe, freeing his master and Brother Sand.  The four pilgrims continue on the “City of Sweet Dreams” 梦得快乐城2 above which floats the Pharaoh’s spectacular palace of air balloons, the Epang Palace 阿房宫.3 The mayor of the City of Sweet Dreams agrees to take the four pilgrims up into the Epang Palace in an elevator, but Monkey is impatient, so he flies ahead on his magic cloud only to find himself face to face with an army of monsters and, possibly even worse, hairdressers…

21. 孙 悟空朱八戒走在前面，行了一程，只不见师傅与沙和尚随来，心中有些疑惑，孙猴知道有变，一个筋斗云翻上半空，四面一望，并无动静，但见半山腰有一白衣女子 正在哭哭啼啼的喊：“好命苦，我的丈夫，今番又被拉去当壮丁，叫我如何过活呀！……”十分凄切，悟空踏住云脚，翻身落地，上前打问，原来她叫孟姜女，她的 丈夫范杞良是万年老丁，回为没有钱今番又被鸦鸦鸟们奉了毛尖鹰之命强拉去当新丁！孙猴听了，十分愤怒道：“我齐天大圣与你们报仇！”孟姜女拜谢不已。

Sun Wukong and Zhu Bajie went ahead, but they couldn’t find their master or Brother Sand, so they began to feel uneasy. Sun Wukong knew that something was the matter, so he jumped on his magical cloud and sprang up into the sky, looking all around, but no one was out and about. Then all of a sudden halfway up the mountain he saw a woman in white, sobbing and crying out, “Life is so unfair, today my husband was taken away to be conscripted, how can I ever go on!?” Completely at a loss, Sun Wukong stopped his cloud, and turned around to coast to earth. Going up to ask her what was up, he found out she was called Lady Meng Jiang. Her husband, Fan Qiliang, was an old laborer of many years, but because he didn’t have any money he was once again conscripted by the Crow-crow Birds to become a new laborer! Upon hearing this, Sun Wukong was filled with rage and said, “I, the Great Sage Equal of Heaven will take revenge on your behalf!” Whereupon Lady Meng Jiang thanked him profusely.

22. 且说朱八戒在地面上四处探寻师傅的下落，却一无所得，正在纳闷，忽然路边踱来一只鸟鸦小黑精，嘻皮笑脸的，八戒喝住道：“你见到两个和尚否？”小黑精答道： “有的，有的，听说已经陷入地牢。”八戒问道：“有何解救办法？”小黑精打手作势意思要钱，八戒会意，连说：“这有何难，要多少便与你多少！”

Meanwhile, Zhu Bajie was looking all around for their master’s whereabouts, but he had come up empty handed. At his wits end, a little black crow monster came strolling past, laughing and smiling, so Zhu Bajie shouted at him, “Have you seen two monks?” The little black monster replied, “I sure have. I heard that they’ve already been put in the underground prison.” Bajie asked him, “Is there any way that I can rescue them?” The little black monster made a gesture with his hand, indicating he wanted money. Bajie caught his drift right away, saying, “What’s the big deal? However much you want, I’ll give it to you!”

23. 两 个正在谈得合缝，半空中孙悟空懊丧而回，八戒高兴道：“有着落了。”……于是悟空八戒随着小黑精同去辨理“赎丁”手续。行至一处，只见一连串的人，被众鸟 鸦精牵着，绳捆钱锁，郎当而行，正见三藏师傅与沙僧也杂在中间，悟空见了咆哮一声叫：“众小妖们慢走！”举起金箍捧[棒?]见一个黑精便打死一个，打得满地是黑 尸，像打翻了炭篓子一样。

Just as the two of them were finishing their deal, a despondent Sun Wukong suddenly appeared. Bajie happily said, “I know where they are.” Whereupon Sun Wukong, Bajie, and the little black monster all went together to redeem the captives. They arrived in a place where they saw a linked chain of laborers being leady by the Crow-Crow bird monsters. The prisoners were all tied together, making their dispirited way. Upon seeing that Tripitaka and Brother Sand had been mixed in with the rest, as well, Sun Wukong let out a roar and said, “Not so fast you little demons!” Taking up his golden-banded staff, he struck dead every black monster he saw, until the ground was covered with black corpses, exactly as if he had overturned a basket of coal.

24. 悟 空救了三藏沙和尚及众弱丁，一不做，二不休，一路打进毛尖鹰的衙门来，毛尖鹰急披甲带胄，提枪出阵迎战，两个斗了三十余回合，毛尖鹰有些抵挡不住，急摇身 一变，往空中一纵，现出三头六臂，手持各式刑具，扑将过来；这里孙大圣那里肯示弱，也显出本领，现出三头六臂的巨神，手中有一件宝器，叫做“众心铁链正义弹”抛将过去，果然把那恶魔毁灭了。

Wukong saved Tripitaka, Brother Sand, and the many powerless laborers as well. In for a penny, in for a pound, he battled his way into the office of the Crested Falcon who hurriedly put on armor and donned his helmet, picking up a gun to go out and meet his enemy. The two battled for thirty rounds, but the Crested Falcon was outmatched, so he shook his head and grew up into the sky, appearing before them as a giant being with three heads, and six arms. In his hands he held a variety of implements, which he threw at Wukong. Not wanting to appear weak, the Great Sage Su Wukong also showed off his abilities, likewise turning into a giant with three heads and six arms, two of which held a jeweled device called “The Righteous Cannonball of the Iron Chain of the Hearts of the Masses.” With this weapon he was able to destroy the monster Crested Falcon.

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1. This is a famous Chinese legend whose origins can be found in the Zuozhuan commentary to the Spring and Autumn Annals, compiled in the third or fourth century BC. See Wilt Idema’s Meng Jiangnü Brings Down the Great Wall : Ten Versions of a Chinese Legend. Seattle: University of Washington Press, 2008. [↩]
2. In his 1958 introduction to the print version, Zhang comments that the City of Sweet Dreams was meant to be stand-in for the “decadent and dissolute life in the interior during the war.” A somewhat garbled translation is available here. [↩]
3. This is the name of a famously grandiose palace which Qin Shihuang began construction on in 212 BC but was never completed. See Lukas Nickel, “The First Emperor and Sculpture in China,” Bulletin of the School of Oriental and African Studies 76, no. 03 (October 2013): 26. [↩]

Zhang Guangyu’s 張光宇 (1900-1965) overlooked masterpiece, Manhua Journey to the West 西遊漫記 was originally created in the fall of 1945 while Zhang was living in the wartime capital of Chongqing. Deeply critical of the ruling KMT government, it was eventually banned and did not see print for another 13 years. For the sake of introducing Zhang’s out-of-print work to a larger audience, I’ve taken the liberty of translating the entire 60 page comic into English and will be posting it in installments on my blog over the next several weeks.

In part 2 of this 6 part translation, Tripitaka and his three disciples, Monkey, Pigsy, and Sandy find themselves in the Kingdom of Paper Money, where advances in agricultural production have made it possible to grow money to replace gold and silver. 1 When the the rulers of the Kingdom of Paper Money, Emperor Xizong 熙宗皇帝2 and his wife, Empress Dai Ling 黛玲皇后 discover Zhu Bajie’s special ability, however, they quickly hatch a plan to make the most of this ‘golden opportunity.’ Meanwhile, in the Kingdom of Ey-qin, 埃秦 the Pharaoh3 has dispatched his most trusted advisor, the Crested Falcon 毛尖鹰4 to build a Great Wall of Ten Thousand Li with the help of the cruel “Crow-crow Birds”…

11. 正在闹轰轰，忽然远处气喘喘急步跑来一个人，手持武器喝声：“强盗！敢犯国法，你们休要偷我们的钞票！”大家急得连声说：“抱歉！抱歉！过路只不知底细，未曾问过明白，请教！请教”后来经这个人解释，原来这里是“纸币国”境界，他是看守纸币的围警，纸币可代金银使用，经国王数度改革，现在已由工业生产进至农业生产，全国遍种“纸币”可供大量使用，十分便利。

Just as they were making an uproar, suddenly a breathless person came running over, a weapon in his hands. He shouted, “Bandits! You dare violate the law of land! Don’t even think about stealing our money!” Everyone hurriedly shouted, “Sorry! Sorry! We were just passing by and didn’t know what was what, and didn’t have a chance to understand the situation, please instruct! Please instruct!” In the end, following this individual’s explanation, they learned that this was the border to the “Kingdom of Paper Money,” and that he was a paper money guard. Paper money could be used in the place of gold and silver, and following a number of reforms by the king it had advanced from industrial production to agricultural production. All over the country “paper money” was being grown to meet a massive demand, and all in all it really was rather convenient.

12. 这人又道：“入境的人，可留下金银，兑换“纸币”方准过去！”三藏等觉得这辨法很好，笔录下来，留作参考，至于被八戒摇下来的一堆“纸币”，由八戒肚子里吐出黄金一锭交与围警作为兑换金，就算和平了事。

The guard continued, saying, “Those entering our borders can leave gold or silver, which can be converted to ‘paper money’! Tripitaka and the others thought this was all rather fine, and so they wrote down the sum of the pile of money shaken down by Bajie. for reference. Bajie then spat out a gold ingot which had been hidden in his stomach to exchange for the paper money and with that everything was settled.

13. 朱八戒口吐黄金的消息，不到半日，早已传到纸币国京城内外，国舅杨天禄听得此情，急忙进宫去见妹子当今熙宗皇后黛玲娘娘。此时正当风和日丽，宫中鸟语花香， 只见熙宗皇帝御驾亲临百鸟亭，指手划脚正在训练众小鸟口叨纸币作出笼回笼上术，百花台上正坐着娘娘千岁，满身金饰，宝气珠光，但双眉颦蹙，含嗔带怒，似乎 有些不高兴，皇上整天只是弄着那些纸币，今见天禄笑嘻嘻迎上阶来，忙问道：“哥哥有甚快活事见告？”天禄即把朱八戒口叶[吐？]黄金的奇迹告诉了她。

In less than a half day’s time, the news of Zhu Bajie spitting up gold had reached the capital. Upon hearing this, the royal uncle, Yang Tianlu, hurriedly, went to the imperial palace to call on his younger sister, Empress Dai Ling, wife of Emperor Xizong. It was a pleasantly sunny day, with a calm wind. The palace was filled with the sound of birdsong and the fragrance of flowers. Emperor Xizong could be seen making his way to the Pavilion of Hundred Birds. Gesturing with his arms, he was training the birds to use their beaks to carry paper money in their mouths and fly in and out of their cage. Her majesty the Empress sat in the Pavilion of Blossoms, dressed in gold ornaments, with glistening jewels and shining pearls. Her eyebrows, however, were furrowed in displeasure, and her face betrayed anger. It seemed that she was rather unhappy about something. The emperor had spent the whole day playing with his paper money, so when the Empress saw Tianlu come smiling and laughing up the steps she hurriedly asked him, “Elder brother, whatever could it be that pleases you so much?” Whereupon Tianlu told her about the miracle of Zhu Bajie spitting up gold.

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1. This is a pointed barb at the rampant inflation that was made possible after the Nationalist government took China off the silver standard in 1935 and replaced it with the ‘fabi’ 法币. When war broke out with Japan in 1937, the government began printing money to cover deficit spending. Poor harvests and the outbreak of the Pacific War exacerbated the situation, so much so that inflation averaged more than 300 per cent between 1940 and 1946. Things only got worse as the civil war dragged on, so it seems probable the 1946 banning of Manhua Journey to the West stemmed at least in part from Zhang’s blatant criticism of KMT fiscal policies. See Albert Feuerwerker, “Economic Trends, 1912-49,” in The Cambridge History of China: Republican China, 1912-1949, Pt. 1, ed. John King Fairbank and Denis Crispin Twitchett (Cambridge University Press, 1983), 113–14. [↩]
2. The historical Emperor Xizong (1119-1150) ruled during the short lived Jin Dynasty and oversaw campaigns against the failing Song dynasty. Another emperor whose name uses different characters, but is pronounced the same is Emperor Xizong 僖宗皇帝 (867-904), one of the final emperors of the Tang whose reign was threatened by agrarian rebellions which eventually led to the downfall of the Tang. Neither are particularly auspicious figures to be referencing. [↩]
3. Likely a stand-in for Sun Yat-sen. [↩]
4. Logically, then, this would be Chiang Kai-shek. [↩]

In my post on cartoon versions of Sun Wukong, I discussed Zhang Guangyu’s 張光宇 (1900-1965) overlooked masterpiece, Manhua Journey to the West 西遊漫記. Originally created in the fall of 1945 while Zhang was living in the wartime capital of Chongqing, Manhua Journey to the West was initially introduced to the public through a series of popular exhibitions in Chongqing,  Chengdu, Shanghai and Hong Kong. Due to both the limitations of the print industry at the time, and eventual KMT censorship, and the turmoil accompanying the founding of the PRC it was not until 1958 that a book version was finally released by the People’s Fine Arts Press 人民美術出版社出版 in Beijing. In 1998, over three decades after Zhang’s death in 1965, it was republished Shandong Pictorial Press 山東畫報出版社, and from December 25, 2012 to February 24, 2013, the original artwork was put on display in as part of a larger retrospective exhibition of Zhang’s work at the Suzhou Museum 苏州博物馆.

My own exposure to the work came several months ago while reading a recently published collection of essays dedicated to Zhang Guangyu and his works. Before reading this collection, I had primarily thought of Zhang both as a magazine editor and also as an organizer of various influential cartoonists’ organizations. Aside from several memorable covers of Modern Sketch 时代漫画and other magazines he was involved in during the 1930s, I had not seen much of his work as an artist. Fortunately, along with the essays, the editors choose to reprint examples of not only his covers, but also selections from his full color comics, including two pages from the Manhua Journey to the West. Zhang does not seem to have done much work in black in white, nor does he seem to have had much interest in doing simple gag strips. This may explain why he is less well known than cartoonists such as contemporaries Zhang Leping 张乐平 and Feng Zikai 丰子恺, whose black and white cartoons can be easily and cheaply reproduced without much loss in quality. Even online, color works tend to fair more poorly in transmission, since many colors cannot be accurately reproduced by the compressed image file formats which are most commonly used.

Not having access to the original book, or a reprint thereof, however, curiosity drove me to seek out an online version of Manhua Journey to the West. After almost giving up, I was finally able to find a Chinese-language art blog which had reposted the entire series of drawings, with the narration included as text below the image. For the sake of introducing Zhang’s out-of-print work to a larger audience, I’ve translated the 60 page text, as recorded on that blog, with a few edits for what seem to be transcription errors. Enjoy!

Manhua Journey to the West: Part 1,  written and illustrated by Zhang Guangyu 張光宇

1. 话说古时有个国王，掌理朝政，精明能干；有一夜梦里见历史老人手拿一个圆球，一手执着一册天书扬言道：“世界之大，无奇不有，你这小小的王国，算得了什 么？我把这球赠汝，将去仔细观看，里面自有千变万化！”言罢把球郑重递与国王，国王接过来待又问：“你这本天书也能送给我吗？”老人道：“慢来！慢来！” 说罢便不见了形迹。

It is said that in ancient times there was a king, who was capable and efficient in dealing with affairs of state; in a dream he saw Father Time carrying a sphere in one hand, and in the other a celestial tome, warning him, “In the vastness of the world, there is no limit to the extraordinary things that exist. What does your teeny tiny kingdom amount to compared to all of this? I gift this sphere unto you, study it closely, for it contains the myriad changes and the countless permutations!” His words completed, he handed the sphere to the king, who took it asking, “Will you gift your celestial tome to me as well?” Father Time said, “One thing at a time! One thing at a time!” and with that, disappeared.

2. 国王从梦中惊醒，那个圆球果然还在手中，仔细一看，原来是个浑圆水晶球，上面没有什么东西可看，只见球的中心透亮发光，渐渐的显出花样来了。

The king awoke from his dream only to discover that the sphere was still in his hands. Studying it closely, he found that it was a perfectly round crystal ball, with nothing visible on its surface, aside from the fact that the center of the sphere was translucent and glowing. Slowly but surely patterns began to emerge.

3. 原来是一幅“山海舆地图”，连自己的王国也发现在一个角落里。

It turns out that it was a “map of the mountains and seas,” in one corner of which he was even able to find his own kingdom.

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